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Designed by Claesson Koivisto Rune
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, meeting table, bar table and low occasional table. Split comes in a range of shapes – round, elliptical, square, rectangular – and in a variety of finishes that allow one to create a coordinated look in either colour or monochrome.
Finishes:
Base in metal powder coated white, brown or black, top in laminate in white or black or in polished white carrara or matt black travetine marble
Dimensions:
Elliptical: W2200 x D1200 x H720 mm Rectangle: W1800 x D1100 x H720 mm
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The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, […]
$7,300.00
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The deconstructed structure, obtained in the legs by the crossing of three different profiles – round, oval and square – refers to a recycling approach of materials from different processes.
Pearson Lloyd’s London studio has created a project that intends to translate the immateriality of space into a physical fun shifting, fascinating and temporary reality. “Nebula “includes a series of separating flat elements, two-dimensional and graphic, but also architectural, three-dimensional and plastic ones. “Nebula” borders and divides, but at the same time connects and gives […]
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.