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Lazada
Designed by Claesson Koivisto Rune
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, meeting table, bar table and low occasional table. Split comes in a range of shapes – round, elliptical, square, rectangular – and in a variety of finishes that allow one to create a coordinated look in either colour or monochrome.
Finishes:
Base in metal powder coated white, brown or black, top in laminate in white or black or in polished white carrara or matt black travetine marble
Dimensions:
Elliptical: W2200 x D1200 x H720 mm Rectangle: W1800 x D1100 x H720 mm
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A metropolis of buildings in miniature, colourful, soft and cosy, to combine the wide range of differing private and public areas. This is the creative idea from which arise a new ottomans Quartier. Design Claesson Koivisto Rune, available in three different sizes and different colours. Their square lines and visible stitching in contrasting tones, are […]
A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, […]
Claesson, Koivisto Rune studio proposes a project that was born from a careful analysis of body gestures. They also translate them into an iconic and suggestive shape, but at the same time geometric and essential one. From the visual form of the verbal language – borrowed from the simple configuration of the letter “u” – […]
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