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Designed by Claesson Koivisto Rune
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, meeting table, bar table and low occasional table. Split comes in a range of shapes – round, elliptical, square, rectangular – and in a variety of finishes that allow one to create a coordinated look in either colour or monochrome.
Finishes:
Base in metal powder coated white, brown or black, top in laminate in white or black or in polished white carrara or matt black travetine marble
Dimensions:
Square: W530 x D530 x H1100 mm Round: DIA530 x H1100 mm
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Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, […]
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
$1,250.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
$1,040.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.