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Lazada
Designed by Gianfranco Frattini
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed by Frattini, produced a formally elegant design, conceptually elaborated and, above all, unique.
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Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
Tacchini’s constant and passionate research about furniture design always brings the company to discover new shapes, materials and creative personalities, but also to rediscover historical design masters. After Achille Castiglioni and Franco Albini, this time Tacchini’s focus is Gianfranco Frattini, one of the major protagonists of Italian Design from the ‘50s to the beginning of […]
The lounge chair, billie is inspired by the fantastic world of carnival. A place tied to memories of childhood and adolescence. On those summer evenings, where everything was shining and spinning around, one could breath beauty and lightness everywhere. Billie swivel chair can rotate a full 360 degrees, provide pleasure all around. It blends the […]
Benasal, also known as the armchair that won Jaime Hayon?s heart, is a simple and functional design seeking for comfort without any further ado. Pomposity aside, it is just an armchair inviting to sit and relax. Being thus conceived, how could it not be suitable for any given place at any given time?
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
The Parentesi armchair re–visits a classic form, with style and versatility in its use and its finishes.