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Designed by Gianfranco Frattini
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed by Frattini, produced a formally elegant design, conceptually elaborated and, above all, unique.
Finishes:
Feet in ash wood stained dark walnut or grey, tube structure in metal powdercoated black or white or plated chrome, stain chrome, black chrome or satin black chrome, upholstery in a selection of fabrics or leather
Dimensions:
W1100 x D940 x H670 mm
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Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed […]
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The story of two elements, which rub against each other until they fit together perfectly._ Monica Forster revisits the classic coffee tables with central support by creating a breaking point in the traditionally flat and smooth surface of the wooden top, which almost seems to become a stone mill with the characteristic central hole in […]
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