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Lazada
Designed by Gianfranco Frattini
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed by Frattini, produced a formally elegant design, conceptually elaborated and, above all, unique.
Finishes:
Feet in ash wood stained dark walnut or grey, tube structure in metal powdercoated black or white or plated chrome, stain chrome, black chrome or satin black chrome, upholstery in a selection of fabrics or leather
Dimensions:
W1100 x D940 x H670 mm
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
$15,600
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed […]
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Claesson, Koivisto Rune studio proposes a project that was born from a careful analysis of body gestures. They also translate them into an iconic and suggestive shape, but at the same time geometric and essential one. From the visual form of the verbal language – borrowed from the simple configuration of the letter “u” – […]
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