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Designed by Gianfranco Frattini
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed by Frattini, produced a formally elegant design, conceptually elaborated and, above all, unique.
Finishes:
Feet in ash wood stained dark walnut or grey, tube structure in metal powdercoated black or white or plated chrome, stain chrome, black chrome or satin black chrome, upholstery in a selection of fabrics or leather
Dimensions:
W1100 x D940 x H670 mm
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
Tacchini’s constant and passionate research about furniture design always brings the company to discover new shapes, materials and creative personalities, but also to rediscover historical design masters. After Achille Castiglioni and Franco Albini, this time Tacchini’s focus is Gianfranco Frattini, one of the major protagonists of Italian Design from the ‘50s to the beginning of […]
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
In 1991, Dordoni beguns, among the firsts, a recovery process of traditional furniture by reinterpreting the classic English club sofa. Designed at the height of Minimalism, Hall collection recovers some fundamental values such as domesticity and comfort.