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Designed by Gianfranco Frattini
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco Frattini Archive and a new chapter in the history of Tacchini: storage cabinets. Traditional elements are reinterpreted in new functions. Unexpected compartments open the doors of memory and recall the warmth of home. The first two pieces re-edited by Tacchini, the sideboard, Model 500/3, with three container elements with shutters and the high sideboard, Model 500/4, with two-plus-two shutters, were designed following a concept of modularity ante litteram, which begins with a bench element ? a curved wooden base strengthened by a T-shaped element that makes it non-deformable ? and then involves the addition of various modules in length and height.
Finishes:
Structure in wood with walnut veneer, optional glass or wood shelf
Dimensions:
W1410 x D520 x H1190 mm
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed […]
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
As a master in architecture, the Japanese, Ito has proposed few but extraordinary design works. Suki armchair, designed in 1987, is one of them: an object made mysterious by the use of a double steel mesh row intersected by many springs. This is an ideological Manifesto but, unpredictably comfortable.
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