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Designed by Gianfranco Frattini
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco Frattini Archive and a new chapter in the history of Tacchini: storage cabinets. Traditional elements are reinterpreted in new functions. Unexpected compartments open the doors of memory and recall the warmth of home. The first two pieces re-edited by Tacchini, the sideboard, Model 500/3, with three container elements with shutters and the high sideboard, Model 500/4, with two-plus-two shutters, were designed following a concept of modularity ante litteram, which begins with a bench element ? a curved wooden base strengthened by a T-shaped element that makes it non-deformable ? and then involves the addition of various modules in length and height.
Finishes:
Structure in wood with walnut veneer, optional glass or wood shelf
Dimensions:
W1410 x D520 x H1190 mm
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
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Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed […]
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
Softly rounded curves and lacquer give it a smooth, reflective presence. A double-tier design offers storage and display, perfect alone or paired with a sofa.
The EASE armchair boasts a sharp and simple design, with a square shape that embodies a neutral and elegant temperament. Its silhouette is solid and strong, while the interior offers a soft and comfortable experience. This sofa is crafted to provide users with an elegant and relaxing space, particularly suited for a study.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.