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Designed by Gianfranco Frattini
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco Frattini Archive and a new chapter in the history of Tacchini: storage cabinets. Traditional elements are reinterpreted in new functions. Unexpected compartments open the doors of memory and recall the warmth of home. The first two pieces re-edited by Tacchini, the sideboard, Model 500/3, with three container elements with shutters and the high sideboard, Model 500/4, with two-plus-two shutters, were designed following a concept of modularity ante litteram, which begins with a bench element ? a curved wooden base strengthened by a T-shaped element that makes it non-deformable ? and then involves the addition of various modules in length and height.
Finishes:
Structure in wood with walnut veneer, optional glass or wood shelf
Dimensions:
W2100 x D520 x H740 mm
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Tacchini’s constant and passionate research about furniture design always brings the company to discover new shapes, materials and creative personalities, but also to rediscover historical design masters. After Achille Castiglioni and Franco Albini, this time Tacchini’s focus is Gianfranco Frattini, one of the major protagonists of Italian Design from the ‘50s to the beginning of […]
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco […]
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Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]