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Lazada
Designed by Gianfranco Frattini
Still considered today one of the most characteristic and complete collections ever designed by Frattini, Serie 500 was born from careful observation of the need for a new way of living, and new functions filtered by the designer?s aesthetic sensitivity and his historical memory. Serie 500 writes another page in the collaboration with the Gianfranco Frattini Archive and a new chapter in the history of Tacchini: storage cabinets. Traditional elements are reinterpreted in new functions. Unexpected compartments open the doors of memory and recall the warmth of home. The first two pieces re-edited by Tacchini, the sideboard, Model 500/3, with three container elements with shutters and the high sideboard, Model 500/4, with two-plus-two shutters, were designed following a concept of modularity ante litteram, which begins with a bench element ? a curved wooden base strengthened by a T-shaped element that makes it non-deformable ? and then involves the addition of various modules in length and height.
Finishes:
Structure in wood with walnut veneer, optional glass or wood shelf
Dimensions:
W2100 x D520 x H740 mm
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Tacchini’s constant and passionate research about furniture design always brings the company to discover new shapes, materials and creative personalities, but also to rediscover historical design masters. After Achille Castiglioni and Franco Albini, this time Tacchini’s focus is Gianfranco Frattini, one of the major protagonists of Italian Design from the ‘50s to the beginning of […]
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann – both formal and functional – constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, […]
$15,600.00
Respecting the thought of Gianfranco Frattini, the re-edition of Sesann keeps the spirit of the product intact. The particular configuration of Sesann ? both formal and functional, constitutes the basis for a system of products characterized by the same structural elements, but declined in unique and fascinating objects. This approach of synthesis and reduction, proposed […]
Spin is a family of ottomans which resumes a technique such as “random” stitching, already applied in the Doodle chairs by designers Claesson Koivisto Rune, that traces soft and playful whirls with an almost hypnotic effect. The stitches characterize the generous, rounded shapes of these soft furnishings, available in different sizes and colours.
Neoz sofas, bed and day-bed emphasize the formal charateristics of the collection they belong to, by building a sort of living nest marked by the hem-stitched tissue whiteness, like past laundry, and the cushions’ softness. Large wheels, though, suggest it as an only termporary luxe.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
Stone is a new system of modular sofas with simple, easy shapes but rich in elements and with enough assembling choice to fulfill the needs of the widest range of public areas. Soft and comfortable, they draw upon the roundness of stones honed by flowing water, and come in a wide range of upholstery. Stone […]