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Designed by Pietro Arosio
Quadro is a modular system which enables the formation of sofas, armchairs and ottomans in a variety of combinations and dimensions addressing the needs of any space or environment with simplicity and comfort for large and small spaces.
Finishes:
Feet in steel, removable upholstery in a selection of fabrics or leather
Dimensions:
With Arms/ Corner Module: W980 x D980 x H660 mm Central Module: W700 x D980 x H660 mm Bench: W700 x D700 x H360 mm W980 x D350 x H360 mm
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Absolute purity with generous seating dimensions, the XL armchair can be set in any space and will sit well in very diverse interiors. The flat metal base is in complete harmony with the fine profile of the seat and back.
A practical yet extremely elegant sofa characterized by its base in cast aluminium which transforms itself into a comfortable double bed simply by lowering the backrest via the patented mechanism.
Erika’s collection started with modern minimalism style and finish with the oriental touch. The unique feature of Erika Slim is the use of new technologies and materials, representative of high-level industrial design. From this approach comes the versatile corner feet in die-casting aluminum, with a recognizable thin conical shape, which provides the products with elegance, […]
Matteo Thun and Antonio Rodriguez are known for their aplomb in treating furniture as a global decorative topic. Their pieces evoke a sedimented ?living culture rooted in borgeois comfort and hospitality. S.MARCO chair, MERAN armchair and VIGILIUS collection mirror the charming image of those spaces, once called fumoir.
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Roundness and comfort. Tradition and innovation. These are the keywords of Orsola, designed in 1970 by Gastone Rinaldi. The new edition stays true to its original spirit but features a latest-generation covering, supported by the rounded chrome metal frame, that gives it an even softer and more inviting look. The sofa and armchairs are handcrafted […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.