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Lazada
Designed by Gastone Rinaldi
A dense, almost mysterious light is filtered through soft and enveloping materials. Luminosity and transparencies fluctuate, creating repetitions of lights and shadows, solids, and voids. Inspired by Object Art and in particular by the works of Enrico Castellani, these elegant fiberglass sculptures ? Solstice applique ? and Equinox cocoon-suspension lamp ? reinforce the strong understanding between Tacchini and Studiopepe.
Finishes:
Frame in metal plated chrome or painted black, upholstery in a selection of fabric or leather
Dimensions:
W900 x D800 x H405 mm
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Roundness and comfort. Tradition and innovation. These are the keywords of Orsola, designed in 1970 by Gastone Rinaldi. The new edition stays true to its original spirit but features a latest-generation covering, supported by the rounded chrome metal frame, that gives it an even softer and more inviting look. The sofa and armchairs are handcrafted […]
$5,360.00
Designed for both formal and casual settings, the details of Surface is refined with the plinth detail and the functional table top.
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The Tetris modular concept from Inclass is conceived as a set of upholstered geometric units, where different seats, backrests, armrests, panels and side tables can be combined to create an infinite array of forms that can be rearranged to optimise the space in each installation. The modular design of the Tetris concept even allows the […]
Wickerwork is marvelous genre of art. This artisanal technique is the same all over the world. We can even claim that wickerwork is the first universal language of humankind: the language of hands. That is why we have done a lot of research on wicker and the weaving of natural materials. Tina and Pepe are […]
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]