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Designed by Monica Forster
The story of two elements, which rub against each other until they fit together perfectly._ Monica Forster revisits the classic coffee tables with central support by creating a breaking point in the traditionally flat and smooth surface of the wooden top, which almost seems to become a stone mill with the characteristic central hole in which the marble leg is inserted
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The basic inspiration for Glide is observation of nature, the fluid and constant change from one shape to another, from one state to another, like the snow in spring. A concept that has produced a large, soft and slim chair in polyurethane foam with differentiated density, supported by an airy metal frame, which holds the […]
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Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection ? including an armchair, a chaise-longue and […]
Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.