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Lazada
Designed by Christophe Pillet
Compact and snug, the Mayfair’s collection has a dual appearance: totally straight from the outside, like a single curved leaf, and pleasantly soft on the inside, like a den or nest. The organic lines are emphasised by the visible stitching.
Finishes:
Upholstery in a selection of fabrics or leather
Dimensions:
W640 x D690 x H820 mm SH440 mm
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Brew a coffee, sit back and let your imagination take you to the delights of a Parisian Boulevard café with the TNP from Kristalia. Introduce cool French design to your home with this classic outdoors iron coffee table. Originally produced for the Theatre National Populaire, the TNP bears the embossed logo of one of France’s […]
This table base can be assembled with tops of various types, according to the taste and needs.
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
$3,000.00
Structure in solid ash wood stained grey or walnut or in solid walnut, upholstery in a selection of fabrics or leather
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.