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Lazada
Designed by Faye Toogood
Lunar form a constellation of scrunchable, glowing lights designed by Faye Toogood. This range of lighting epitomises Toogood?s playful and tactile taxonomy of materials. Lunar are quilted pendant lights with crumpled, papery covers. Internal wadding diffuses the light, giving Lunar a soft glow. Although each light is the same design the crunchable material framing the bulb can be scrunched and folded, holding shape and giving each light its own unique character. You could hang a whole room with Lunar and no two would be look exactly the same. With a nod to the light?s origins, Lunar is available in international paper sizes A2, A1 and A0.
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Calm and sophisticated manifesto of contemporary style, Solar sits at the heart of Toogood?s Cosmic collection. An upholstered sofa that at first glance appears as a stack of cushions. With its unmistakable blend of ingenuity and style, Faye Toogood invites relaxation upon these quilted piles. Solar merges sculptural forms and softness, offering a fresh interpretation […]
Orbit coffee table and desk are part of Cosmic: Toogood?s collaborative collection with Tacchini. Cosmic is full of irregular, elliptical shapes. Orbit features curving wooden legs upholstered in hide, topped with smooth wooden pebble shapes. The desk and table tops are lacquered, with a rounded hide inlay. The concentric ovals of Orbit are not uniform, […]
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The distinctive, reassuringly chunky lines of Faye Toogood?s roly-poly furniture collection become even more inviting in her new collaboration with driade. The latest line for the italian design house takes the rounded, welcoming shapes of her limited-edition assemblage no 4 range. the low seat has been augmented with upholstered cushions that nestle in its curved, […]
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.