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Lazada
Designed by Claesson Koivisto Rune
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project – a new chapter in their collaboration with Tacchini. Pure and bright colors, organic shapes, friendly and wholesome feelings enliven a wealth of sensible furnishing suggestions for domestic spaces and public areas, thanks to the unique blend of creativity harnessed by the Swedish designers and the sheer quality, team-working skills and attention to detail that have always distinguished this Italian company. Three seating furnishings are showcased: each with its own personality, playing on different-sized backrests and seats, suspended upon sleek metal frames, melding vintage settings and modern art inspirations. Their shapes, as well as color shades available are designed to stand alone or to conjure freely-inspired matches and compositions – whether in the home or in the world of contract supplies.
Finishes:
Base in metal powdercoated white, black or grey, upholstery in a selection of fabrics or leather
Dimensions:
W1040 x D780 x H1250 mm
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Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
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The quality of being modest: The freedom from vanity, the respect for discretion in the conduct, in the language, in the clothing, the simplicity, the moderation, designed to prevent the accidental exposure of a body part, a strip of modesty, of meekness.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.