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Lazada
Designed by Claesson Koivisto Rune
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project – a new chapter in their collaboration with Tacchini. Pure and bright colors, organic shapes, friendly and wholesome feelings enliven a wealth of sensible furnishing suggestions for domestic spaces and public areas, thanks to the unique blend of creativity harnessed by the Swedish designers and the sheer quality, team-working skills and attention to detail that have always distinguished this Italian company. Three seating furnishings are showcased: each with its own personality, playing on different-sized backrests and seats, suspended upon sleek metal frames, melding vintage settings and modern art inspirations. Their shapes, as well as color shades available are designed to stand alone or to conjure freely-inspired matches and compositions – whether in the home or in the world of contract supplies.
Finishes:
Base in metal powdercoated white, black or grey, upholstery in a selection of fabrics or leather
Dimensions:
W700 x D800 x H810 mm
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Spin is a family of ottomans which resumes a technique such as “random” stitching, already applied in the Doodle chairs by designers Claesson Koivisto Rune, that traces soft and playful whirls with an almost hypnotic effect. The stitches characterize the generous, rounded shapes of these soft furnishings, available in different sizes and colours.
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
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Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
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