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Designed by Monica Forster
Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing in an elegant and regular form._ The tables are available in two sizes and color variants, Breccia Bresciana with walnut-stained structure for a warm and delicate finish, Fior di Pesco Carsico with dark gray structure for more decisive and rigorous tones._
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Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
The story of two elements, which rub against each other until they fit together perfectly._ Monica Forster revisits the classic coffee tables with central support by creating a breaking point in the traditionally flat and smooth surface of the wooden top, which almost seems to become a stone mill with the characteristic central hole in […]
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$2,650.00
Named after the mythical Titan condemned to hold up the heavens on his shoulders, the solid legs of the Atlas coffee table stand strongly as support for the spacious tabletop. The meeting and contrast between the legs and the tabletop is central to the design, where each element exaggerates the other giving the table its […]
$1,720.00
Inspired by the human iris, the poetic tables combine color, geometry, and reflection. Back-painted glass and graphic lines create layered depth and visual rhythm. They are functional pieces that straddle the boundary between art and design.
$2,660.00
Almost a visual trick, like a frame where mass and gravity is suspended, and the slim and delicate structure support the marble top, like a hovering platform.