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Designed by Claesson Koivisto Rune
Enveloping, cozy, and as inviting as an island out at sea, this armchair is marked by a more organic shape and loosely structured frame. It fits in ideally in home furnishings and public contracts alike, perfect for diving headlong into R&R as well as soaking up work or study due thanks to its optional table, placed on the right or left.
Finishes:
Base in metal plated satin chrome or lacquered white, black or grey, upholstery in a selection of fabrics or leather, top in polished biancone or matt black travertine marble
Dimensions:
W865 x D850 x H850 mm SH400 mm Table top: H575 mm
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Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, […]
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
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Two furnishing elements of pure material. Two architectural blocks in perfect scale. The materiality of the concrete becomes the protagonist and is expressed through irregular surfaces that recall the raw wood with which the formwork is made ? the wooden formwork used in construction that holds within it the shape to be created by casting […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
This minimalist and highly elaborate chair is a re-design of the classic model No. 14. The designer divided its six pieces by two and 002 emerged – a chair made from only three pieces. Two of them – the manually processed bends – are identical and form legs, backrest and armrests all in one.