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Designed by Pearson Lloyd
Fixie is a stool featuring a functional tubular structure which deeply identifies the product, making it instantly recognizable as a 3D graphic pattern or a furniture sculpture. This effect is enriched by original colours making Fixie definitely unique. The aesthetic quality does not hide its functionality: the stool is adjustable in height and it’s 360° revolving.
Finishes:
Swivel and height adjustable, base in metal powder coated white, grey or black, upholstery in a selection of fabrics or leather
Dimensions:
W370 x D370 x H680-800 mm
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Polar is inspired by the shear forms of the ice caps in the arctic seas, thus giving life to an extremely versatile seating system. The seats and backrests , characterized by their full and sheared forms can be coupled together in a variety of ways, creating numerous seating layouts or options. The system is completed […]
$2,070.00
Coming from the Iris family, the vertical color bands and clean edges create rhythm, depth, and warmth?ideal for entryways, bedrooms, and dressing rooms.
Oblique corners reminding of ancient obelisk shapes, creating an architectural play of light and shadow. Full volumes seem to float above the floor, on hidden base. Crystal is a collection of sofas and armchairs away from ordinary standards and clichés which gives birth to a suspended and dynamic effect with no need of aesthetical devices. […]
Lightness and versatility are the hallmarks of Eddy chair, a fresh new addition to the Polar collection, design Pearson Lloyd. Its flowing and enveloping lines solve elegantlys ome concrete needs: ergonomics, practicality, adaptability.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.