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Designed by Umberto Bellardi Ricci
Doric is designed by Umberto Bellardi Ricci for Tacchini: a wall light that evokes the Doric columns of classical Greece and is inspired by the designer?s recent experiments with the golden spiral, or divine proportion, and curvilinear shapes and spiral shapes that can be obtained from it. Made of painted sheet metal, it emanates a symmetrical light that spreads downwards on the wall from both sides. Thus, the light caresses the wall following the gentle movement that creates the illusion that the wall lamp is wrapping around itself ? a movement that can be read very well when looking at the lamp from the side.
Finishes:
Fitting in steel painted brass
Dimensions:
W400 x D140 x H550 mm
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Fackel is the German word for the medieval wall torches that released naked flames on the walls of castles and convents._ Inspired by these ancient lamps, Umberto Bellardi Ricci bends a metal bar in two points and lets it run parallel to the wall, onto which he projects a warm and suggestive glow, similar to […]
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From the first piece of bent metal, Umberto Bellardi Ricci experiments with shapes and reflections to capture and refract light as if it were coming from the curves of a spiral while the light source remains embedded in the initial fold. Designed for Tacchini, the Ancora rolled mirror captures light in the metal curves and […]
Polar is inspired by the shear forms of the ice caps in the arctic seas, thus giving life to an extremely versatile seating system. The seats and backrests , characterized by their full and sheared forms can be coupled together in a variety of ways, creating numerous seating layouts or options. The system is completed […]
Simple and monumental, Clockwise reveals its subtle humour only to those who manage to grasp the play of steps that define the position of the legs and the alternation of their positioning in the corners of the top. Born from the first collaboration between Tacchini and designer Michael Anastassiades, it is a table with an […]
An historical project that fascinates us once again thanks to the current ergonomic value of the split between the headrest and lumbar support: an advanced concept for its time when it was presented, now made even more effective by modern upholstery in varying degrees of thickness. The curved tubular structure, typical example of twentieth century […]
The Clessidra mirror, with its soft lines and its sanded frame, can be positioned with different orientations. It assumes a new functional feature in the table and free-standing versions. Because it is not possible to stop time, but choosing how to look into the mirror while time passes by is.