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Lazada
Designed by Umberto Bellardi Ricci
Doric is designed by Umberto Bellardi Ricci for Tacchini: a wall light that evokes the Doric columns of classical Greece and is inspired by the designer?s recent experiments with the golden spiral, or divine proportion, and curvilinear shapes and spiral shapes that can be obtained from it. Made of painted sheet metal, it emanates a symmetrical light that spreads downwards on the wall from both sides. Thus, the light caresses the wall following the gentle movement that creates the illusion that the wall lamp is wrapping around itself ? a movement that can be read very well when looking at the lamp from the side.
Finishes:
Fitting in steel painted brass
Dimensions:
W400 x D140 x H550 mm
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Fackel is the German word for the medieval wall torches that released naked flames on the walls of castles and convents._ Inspired by these ancient lamps, Umberto Bellardi Ricci bends a metal bar in two points and lets it run parallel to the wall, onto which he projects a warm and suggestive glow, similar to […]
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From the first piece of bent metal, Umberto Bellardi Ricci experiments with shapes and reflections to capture and refract light as if it were coming from the curves of a spiral while the light source remains embedded in the initial fold. Designed for Tacchini, the Ancora rolled mirror captures light in the metal curves and […]
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The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
Claesson, Koivisto Rune studio proposes a project that was born from a careful analysis of body gestures. They also translate them into an iconic and suggestive shape, but at the same time geometric and essential one. From the visual form of the verbal language – borrowed from the simple configuration of the letter “u” – […]