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Designed by Claesson Koivisto Rune
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Finishes:
Base in metal powder coated white or black, brown or plated satin chrome, upholstery in a selection of fabrics or leather, stitch details in white, beige, red, blue or black
Dimensions:
W870 x 600 x H770 mm SH410 mm
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Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
Carefully designed shapes and sizes for all-round comfort: this is the guiding principle behind the Montevideo sofa. Armrests and backrest trace a soft and cozy outline, complete with feather cushions supporting your lower back. Ergonomic and elegant, the Montevideo sofa is also paired with a matching armchair.
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, […]
Beech rods bent according to a modern technology, seat shaped by modern production methods and contemporary design. The Tram chair connects everything that is typical for TON today. Its lines simplify any interior and are available in a version with armrests or upholstery.
$2,180.00
The existing Covent Chair and Covent Lounge Chair fuse their best assets in the Covent Club Chair. This new family member offers great sitting comfort while maintaining a visual lightness and an upright seating position suitable for dining. Extended upholstered surfaces and empty spaces create a silhouette defined by both softness and precision.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.