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Lazada
Designed by Claesson Koivisto Rune
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Finishes:
Base in metal powder coated white or black, brown or plated satin chrome, upholstery in a selection of fabrics or leather, stitch details in white, beige, red, blue or black
Dimensions:
W870 x 600 x H770 mm SH410 mm
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Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
Spin is a family of ottomans which resumes a technique such as “random” stitching, already applied in the Doodle chairs by designers Claesson Koivisto Rune, that traces soft and playful whirls with an almost hypnotic effect. The stitches characterize the generous, rounded shapes of these soft furnishings, available in different sizes and colours.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
Soft, enveloping shapes characterize this family of upholstered pieces. Julep is influenced by the 1950s Avant-Garde movement, drawing upon its simplicity and grandeur, refined by a contemporary, romantic, feminine allure. Star of the series is the sofa, whose generous rounded lines provided evolutionary DNA for the entire collection ? including an armchair, a chaise-longue and […]
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.