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Designed by Claesson Koivisto Rune
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Finishes:
Base in metal powder coated white or black, brown or plated satin chrome, upholstery in a selection of fabrics or leather, stitch details in white, beige, red, blue or black
Dimensions:
W510 x D570 x H800 mm SH450 mm W510 x D600 x H910 mm SH450 mm
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Enveloping, cozy, and as inviting as an island out at sea, this armchair is marked by a more organic shape and loosely structured frame. It fits in ideally in home furnishings and public contracts alike, perfect for diving headlong into R&R as well as soaking up work or study due thanks to its optional table, […]
Carefully designed shapes and sizes for all-round comfort: this is the guiding principle behind the Montevideo sofa. Armrests and backrest trace a soft and cozy outline, complete with feather cushions supporting your lower back. Ergonomic and elegant, the Montevideo sofa is also paired with a matching armchair.
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Lunar form a constellation of scrunchable, glowing lights designed by Faye Toogood. This range of lighting epitomises Toogood?s playful and tactile taxonomy of materials. Lunar are quilted pendant lights with crumpled, papery covers. Internal wadding diffuses the light, giving Lunar a soft glow. Although each light is the same design the crunchable material framing the […]
Tacchini’s constant and passionate research about furniture design always brings the company to discover new shapes, materials and creative personalities, but also to rediscover historical design masters. After Achille Castiglioni and Franco Albini, this time Tacchini’s focus is Gianfranco Frattini, one of the major protagonists of Italian Design from the ‘50s to the beginning of […]
$680.00
Named after the Betty Nansen theatre in Copenhagen, this stackable chair is a true evergreen design.
Tiracord, designed in 1961, exemplifies Vilanova?s lifelong aim to elevate the utilitarian through design