Visit us in store for a wider selection of items not found online.
Lazada
Designed by Claesson Koivisto Rune
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Finishes:
Swivel, base in metal powder coated white or black, brown or plated satin chrome, upholstery in a selection of fabrics or leather, stitch details in white, beige, red, blue or black
Dimensions:
W620 x D590 x H850 mm SH460 mm
0
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
Designer Christophe created a classically designed dining chair with a modern appeal to last for generations. The wood frame with the clean silhouette and the three-legged structure add a sense of formality and etiquette to the chair. Meg chair resonates with a sense of modernism and tradition.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.