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Designed by Claesson Koivisto Rune
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
Finishes:
Swivel, base in metal powder coated white or black, brown or plated satin chrome, upholstery in a selection of fabrics or leather, stitch details in white, beige, red, blue or black
Dimensions:
W620 x D590 x H850 mm SH460 mm
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Carefully designed shapes and sizes for all-round comfort: this is the guiding principle behind the Montevideo sofa. Armrests and backrest trace a soft and cozy outline, complete with feather cushions supporting your lower back. Ergonomic and elegant, the Montevideo sofa is also paired with a matching armchair.
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, […]
$7,300.00
Named after the mythical Titan condemned to hold up the heavens on his shoulders, the solid legs of the Atlas table stand strongly as support for the spacious tabletop. The meeting and contrast between the legs and the tabletop is central to the design, where each element exaggerates the other giving the table its distinct […]
EARL dining table, with its multiple choices on finishes, adapts perfectly to any interior. The base is in solid wood, and the elegantly tapered legs show the lightness and modernity of the model.
This high table base can be assembled with tops of various types, according to the taste and needs.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]