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Designed by Noe Ducaufour-Lawrance
Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground._ Simple and primitive, smooth and perfectly polished, solitary or close to each other, united in a perfect joint._ Available in two sizes, the tables born from the creativity of Noe Duchaufour-Lawrence are entirely made of Breccia Bresciana or Fior di Pesco Carsico, almost zero kilometer marbles, extracted near the place of production of the tables themselves, as expressly requested by the French designer._
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Snug and cosy, like the sweet refuge of an embrace, Shelter draws its inspiration from a design that has gone down in the history of modern seating: the Egg armchair designed by Arne Jacobsen in 1958 for the Royal Hotel in Copenhagen. Following in the footsteps of this iconic design, and above all echoing the […]
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
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A luminous sphere seems almost suspended in time and space. A metal structure seduces the gaze with its striking simplicity and the boldness of its construction. The extroverted Dana by Jean-Pierre Garrault and Henri Delord fits perfectly into the constant search for timeless pieces carried out by Tacchini: a lamp with a strong personality. Born […]
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.