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Lazada
Designed by Noe Ducaufour-Lawrance
Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground._ Simple and primitive, smooth and perfectly polished, solitary or close to each other, united in a perfect joint._ Available in two sizes, the tables born from the creativity of Noe Duchaufour-Lawrence are entirely made of Breccia Bresciana or Fior di Pesco Carsico, almost zero kilometer marbles, extracted near the place of production of the tables themselves, as expressly requested by the French designer._
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Snug and cosy, like the sweet refuge of an embrace, Shelter draws its inspiration from a design that has gone down in the history of modern seating: the Egg armchair designed by Arne Jacobsen in 1958 for the Royal Hotel in Copenhagen. Following in the footsteps of this iconic design, and above all echoing the […]
Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
Split expresses an elegant, immediately recognisable character, aside from its size, form and colour that lend coherence to the most diverse solutions and compositions in any given space. This is the concept behind the Split collection, a complete system of tables for both the home and contract interior, available in four different forms: coffee table, […]
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Inspired by the idea of a parlour – a space designed for entertaining, socialising, and relaxation – the Parlour series by Jonas Wagell includes a lounge chair and a complementary ottoman. With pronounced piping details defining the shape, the lounge chair?s sweeping backrest is seamlessly attached to the round, voluminous seat.
A keen observation of nature and the study of contemporary environments has inspired the London studio Pearson Lloyd in creating a highly original and timeless item, capable of bringing a fresh, new perspective in fulfilling everyday needs: helping us to live better, but also to look beyond the mere objects themselves and the clichés attached […]