Visit us in store for a wider selection of items not found online.
Designed by Noe Ducaufour-Lawrance
Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground._ Simple and primitive, smooth and perfectly polished, solitary or close to each other, united in a perfect joint._ Available in two sizes, the tables born from the creativity of Noe Duchaufour-Lawrence are entirely made of Breccia Bresciana or Fior di Pesco Carsico, almost zero kilometer marbles, extracted near the place of production of the tables themselves, as expressly requested by the French designer._
Variation
0
Snug and cosy, like the sweet refuge of an embrace, Shelter draws its inspiration from a design that has gone down in the history of modern seating: the Egg armchair designed by Arne Jacobsen in 1958 for the Royal Hotel in Copenhagen. Following in the footsteps of this iconic design, and above all echoing the […]
$3,500.00
If a design appears to be soft at first glance, it also needs to be soft when you sit in it ? the Ovata is no exception. Its softened lines and grand comfort is available through different pieces: Ovata lounge chair, in two different sizes, and a high back.
Simple and contemporary lines defines the Lana collection characterized by its versatility. With an upholstered seat and back for comfort and a structure in wood or metal, Lana becomes a perfect piece for any space. The shape of its backrest plays with volumes and intersects with the structure giving it a particularly interesting aspect.
Closer is an armchair with iron structure painted matt black and supported feather cushion with removable cover, fixed in the leather version. A slender but very solid metal frame welcomes the large and enveloping cushion with generous shapes, offering the maximum level of comfort.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.