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Lazada
Designed by Henri Delord
A luminous sphere seems almost suspended in time and space. A metal structure seduces the gaze with its striking simplicity and the boldness of its construction. The extroverted Dana by Jean-Pierre Garrault and Henri Delord fits perfectly into the constant search for timeless pieces carried out by Tacchini: a lamp with a strong personality. Born from free creative thought and full of the artistry of the 70s, rediscovered by Tacchini to leave an unmistakable mark in any room. Dana?s idea was born in 1970 during a trip to Japan, when the designers decided to climb Mount Fujiyama and one evening, during a stop in a traditional Japanese inn, they were lucky enough to see the full moon rise and pass over the top of the mountain: hence the intuition to create a lamp with large luminous spheres that seem to rise towards the sky. The project then comes to life following a working method inspired by the ?Meccano? which decrees its originality, a systematic search to reduce technical solutions to a few elements that allow multiple solutions. Today, re-edited in agreement with the two designers, Dana is presented in a floor-to-ceiling version with a tubular structure in chromed metal and a sphere of light in composite material.
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The lamp 1953 designed, by Ostuni e Forti, has two models, floor and table, varying in proportion and size but identical in their design which shifts the whole lampshade section from the centre to the side. A range that elegantly recalls the style of those years, such as the use of a shade in the […]
Inspiration does not follow regular routes. Only with hindsight does inspiration seem indeed logical. One thing is true, though: inspiration is a source of inspiration.” With these words – at the same time playful and profound – designers Marten Claesson, Eero Koivisto and Ola Rune sum up the coming into being of the Kelly project […]
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
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