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Designed by Michael Anastassiades
Simple and monumental, Clockwise reveals its subtle humour only to those who manage to grasp the play of steps that define the position of the legs and the alternation of their positioning in the corners of the top. Born from the first collaboration between Tacchini and designer Michael Anastassiades, it is a table with an important presence, which at the same time evokes a sense of lightness in the legs that chase each other almost dancing, rotating around a choreography that suggests the right dance steps to experience it fully. At different rhythms, following the metaphor of a gesture, the movements and activities that take place around the table can thus be told from time to time unexpectedly, as fluid and informal as the environments in which the table itself can be placed.
Finishes:
Structure in matt mediterraneo green or avacado green marble or in natural ash
Dimensions:
W1600 x D1600 x H730 mm
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Simple and monumental, Clockwise reveals its subtle humour only to those who manage to grasp the play of steps that define the position of the legs and the alternation of their positioning in the corners of the top. Born from the first collaboration between Tacchini and designer Michael Anastassiades, it is a table with an […]
$6,000.00
Deriving from Latin, the term vector literally means ?to carry? ? and the name thus refers to the typology of a table in its simplest form. Playing with perspective, when viewed from the end, the frame in black powder-coated aluminium appears dense, adding weight to the design, whilst seen from the side, the slender silhouette […]
$2,750.00
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami KallioÕs solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools.
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
In a table, oval means perfect: no edge, no head of the table, no diner and, above all, a form expanded in space. Antonia Astori balance then the top elegant simplicity with a sculptural base made of a malleable as contemporary material.