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Designed by Gordon Guillaumier
Minimalism and pure elegance characterize the Cage tables, whose precious top comes in different types of marble, round or square.
Finishes:
Structure in metal lacquered white, matt gold or black or plated matt or shiny champagne gold or black chrome, top in polished white carrara, white calacatta or black marquina marble or in smoked or bronze mirror
Dimensions:
W1000 x D1000 x H320 mm
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Gordon Guillaumier introduces his new project. Chill-Out is a modular system of sofas, armchairs, ottomans or small tables which express a long searched simplicity, a precision that is harmony and wellness, a modularity becomes total freedom of composition and setting of spaces. Chill-out system has been designed for both habitat and public spaces. It can […]
Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.
A flexible table designed by Patrick Norguet for Kristalia that can be stored easily, without sacrificing the elegance of its shape. Poule is ideal for public spaces, it’s easy to store and move around with lightweight structure.
$2,020.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]