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Designed by Roberto Sironi
Art is a spontaneous expression, which dissolves the constraints of traditional culture. The material as a raw element, worked and shaped to highlight its expressive power. Brut is a table with strong references to Art Brut, spontaneous and informal, and brutalist architecture both in the volumes, accentuated and massive, and in the materials, concrete and only partially controllable. Tacchini?s first project with the designer Roberto Sironi, this table with a cast aluminium top and concrete legs presents itself as a procedural object, where the material takes over and dominates the forms to give life to a piece with a proud and charismatic personality.
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Two furnishing elements of pure material. Two architectural blocks in perfect scale. The materiality of the concrete becomes the protagonist and is expressed through irregular surfaces that recall the raw wood with which the formwork is made ? the wooden formwork used in construction that holds within it the shape to be created by casting […]
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A system of extremely versatile sofas, Lounge chairs, and benches, developed and designed to suit any space and expressing an universal and international style with a fine and elegant form. A versatile system of sofas and benches inspired by the idea of designing a system with multiple options and uses. The seats are available with […]
$2,810.00
Illusioni is a coffee table with black iron structure and transparent crystal tops. The volumes seem to fluctuate as in the absence of gravity; the slender structure establishes its light and essential line.
Fixie is a stool featuring a functional tubular structure which deeply identifies the product, making it instantly recognizable as a 3D graphic pattern or a furniture sculpture. This effect is enriched by original colours making Fixie definitely unique. The aesthetic quality does not hide its functionality: the stool is adjustable in height and it’s 360° […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.