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Lazada
Designed by Roberto Sironi
Art is a spontaneous expression, which dissolves the constraints of traditional culture. The material as a raw element, worked and shaped to highlight its expressive power. Brut is a table with strong references to Art Brut, spontaneous and informal, and brutalist architecture both in the volumes, accentuated and massive, and in the materials, concrete and only partially controllable. Tacchini?s first project with the designer Roberto Sironi, this table with a cast aluminium top and concrete legs presents itself as a procedural object, where the material takes over and dominates the forms to give life to a piece with a proud and charismatic personality.
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Two furnishing elements of pure material. Two architectural blocks in perfect scale. The materiality of the concrete becomes the protagonist and is expressed through irregular surfaces that recall the raw wood with which the formwork is made ? the wooden formwork used in construction that holds within it the shape to be created by casting […]
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Clearly inspired by the world of fashion and finely-built with an almost “sartorial” eye for details, Jacket armchair comes in a revised version insofar as design and new colors with a metal frame characterized by slim and supple outlines. The quilted fabric does not merely act as a cover, but becomes a soft and cozy […]
Forms that are lost in time, modeled by the erosion of the wind, sun and rain, become sculptures that almost seem to emerge from the ground._ Simple and primitive, smooth and perfectly polished, solitary or close to each other, united in a perfect joint._ Available in two sizes, the tables born from the creativity of […]
A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.