Designed by Umberto Bellardi Ricci
From the first piece of bent metal, Umberto Bellardi Ricci experiments with shapes and reflections to capture and refract light as if it were coming from the curves of a spiral while the light source remains embedded in the initial fold. Designed for Tacchini, the Ancora rolled mirror captures light in the metal curves and diffuses it onto the reflective surface. Linked to the designer?s recent studies on the spiral of the golden ratio, Ancora deviates from pure geometry to become a wall mirror that brings a modern reinterpretation of sculptural light into domestic spaces.
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From the first piece of bent metal, Umberto Bellardi Ricci experiments with shapes and reflections to capture and refract light as if it were coming from the curves of a spiral while the light source remains embedded in the initial fold. Designed for Tacchini, the Ancora rolled mirror captures light in the metal curves and […]
Doric is designed by Umberto Bellardi Ricci for Tacchini: a wall light that evokes the Doric columns of classical Greece and is inspired by the designer?s recent experiments with the golden spiral, or divine proportion, and curvilinear shapes and spiral shapes that can be obtained from it. Made of painted sheet metal, it emanates a […]
Fackel is the German word for the medieval wall torches that released naked flames on the walls of castles and convents._ Inspired by these ancient lamps, Umberto Bellardi Ricci bends a metal bar in two points and lets it run parallel to the wall, onto which he projects a warm and suggestive glow, similar to […]
Concave and convex mirrors create amazing effects and compositions, projecting the space into a new dimension.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
A system consisting of sofas and armchairs in different sizes, with a markedly sleek shape to receive the body nicely. Extra comfort is given by the large lumbar supporting cushion on the ample seat. Elegantly thin are the feet at the base of the frame, adding a touch of dynamism to the coziness.
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.