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Designed by Lievore Altherr Molina
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear, tinted grey, bronze, rose or gold
Dimensions:
W1800 x D50 x H400 mm W1900 x D50 x H800 mm W2200 x D50 x H450 mm W2200 x D50 x H900 mm
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Spider is a coffee table made up with a single sheet of glass, artfully cut and bent: a pleasingly original presence in the living area. Matching freely the shapes and finishes it is possible to create infinite able to convey different emotions.
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
An elegant, essential and modular solution, to transform every space into a fascinating display.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
The Merano chair combines the bottom design made of solid wood with harmonic shapes of bent plywood in the seat and backrest. Thanks to the production technology used, it is remarkably light and does not contain any screws or metal pieces. Together with the bar stool, it creates a set with the Merano armchair.
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
Shell is a side table with harmonious lines. Bent through exclusive technologies, it allows to place and at the same time display any kind of object with a special style.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.