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Designed by Lievore Altherr Molina
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear, tinted grey, bronze, rose or gold
Dimensions:
W800 x D50 x H1900 mm
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A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
$1,130.00
“The Symbol of a new era focused on plastic”. That’s how Plia chair was presented in 1967 at the Fiera del Mobile in Milan. During the Fair, the Plia got so much acclaim from audiences that many visitors moved away from the stand with some samples without asking for permission… As a result of this […]
Bridge is a line of tables, coffee tables, consoles and desks that introduces the charm of glass into different environments: living room, bedroom, domestic office and contract.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.