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Designed by Lievore Altherr Molina
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear, tinted grey, bronze, rose or gold
Dimensions:
W440 x D50 x H380 mm W600 x D50 x H520 mm W900 x D50 x H780 mm
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You must surrender to its embrace if you want to live it intensely. This is what Livit, the new outdoor sectional sofa by Lievore Altherr Molina Studio, suggests: A welcoming piece with soft cushions buoyed up by a slender aluminum frame, which balances comfort and lightness with the aim of providing a blithesome relax”. It […]
3 Feet is a collection of hexagonal coffee tables made of bent glass, able to give to the house a lively touch of originality. They can be put together playing with the different heights and finishes.
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With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, […]
Segment is a wall mirror with engraved segments of great visual impact. Available in various sizes in the square, rectangular or round shape, also with a led lighting on the back that catches the eye to the segment decoration.
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.