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Lazada
Designed by Lievore Altherr Molina
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
Finishes:
Frame in aluminium lacquered mocha, black or burnished brass, mirror in clear, tinted grey, bronze, rose or gold
Dimensions:
W810 x D50 x H810 mm
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A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
in the eclectic identity of Driade, i have always perceived a hint of french culture, just as i have always been fascinated by the interiors of parisian homes for their expert combination of furnishings and classical items, along with vintage pieces and contemporary objects.’ Alberto Lievore La Francesa issues from this imaginative background, a refined […]
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Paola is a simple but original seating project, the details make the difference and demonstrate how the design can always remain current over the years. Vico Magistretti, historic designer of universal designer projects, designs a chair with a solid yet exceptionally light appearance. The structure is in walnut or gray stained ash wood with a […]
$1,190.00
The 1956 Drawn chair by Hvidt & Molgaard stands out as a definitive piece of Danish design. Built upon traditional craftsmanship techniques and made out of organic materials, it brings a sense of wholesome honesty to any space. Available in oiled oak, oiled walnut, soaped oak, and the newest addition of black lacquered oak. It […]
The Huma upholstered chair series takes the form of the rattan version, the open arms create an open invitation to sit, dine, work or relax.
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]