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Lazada
Designed by Gianluigi Landoni
The new Traled lamps collection is the result of a shapes reduction to obtain a minimal but refined assembly. Two ceramic, mirror or frosted mirror sides, finished in the details, which create a luminous aura. The brass finishes embellish the collection creating a versatile light for elegant interiors and contract spaces.
Finishes:
Aluminium structure with panel in mirror in a selection of polished or frosted clear or tinted colours, ceramic polished or matt finish, internal panel in metal in black or brass, brass rods
Dimensions:
W1280 x D50 x H120 mm W1470 x D50 x H120 mm W2030 x D50 x H120 mm W2470 x D50 x H120 mm W2970 x D50 x H120 mm W1500 x D490 x H880 mm W2000 x D490 x H880 mm W2500 x D490 x H880 mm
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Versatile and ergonomic in the shape and characterized by a refined simplicity, the Pura chair is available with different coverings, to play different roles in the home and contract space.
Pureness and minimalism are the keys to understanding a product which combines simplicity and functionality. Entirely realized in glass it can be a magazine holder and a practical side table.
Magda is a new collection of sideboards that combines the material aspect and the soft grains of the marble effect ceramic with the precious and fascinating shades of the Sovet’s mirrors
M. C. Escher’s impossible figures inspire a coffee table that founds its uniqueness on the particular design of the base
The Clessidra mirror, with its soft lines and its sanded frame, can be positioned with different orientations. It assumes a new functional feature in the table and free-standing versions. Because it is not possible to stop time, but choosing how to look into the mirror while time passes by is.
Tulip is designed to offer a useful support top in lounge areas, adding value to the whole space with its refined design. The choice among different materials and colours available for the top allows different interpretations and leaves the imagination free in each furniture setting.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.
Characterized by a sophisticated balance between structure and seat, which appears to be suspended, it represents the typical expression of Italian craftmanship. The structure is realized in curved wood, with a natural, black stained or walnut finish, combined with a wooden or covered seat in various finishes.