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Lazada
Designed by Lievore Altherr Molina
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of glass lacquered or frosted lacquered, textured net, textured materia, ceramic polished or matt finish
Dimensions:
W620 x D620 x H750 mm W800 x D800 x H750 mm W1000 x D1000 x H750 mm W1200 x D1200 x H750 mm W1300 x D1300 x H750 mm W1400 x D1400 x H750 mm W1500 x D1500 x H750 mm
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Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
This classic chair No. 14 has been transformed into a barstool. Manually bent beech wood is used for the frame. The seat can be made of plywood, with a decorative relief, cane mesh or it can be upholstered in all types of materials.
A diamond changes into a seat: faceted from a thousand veins that reflect light, Meridiana transforms the lines of construction and power in lines of poetry. Suspended in its thin metal structure, it shines in its transparency or its sophisticated nuances.
With its round, enveloping shell, Armadillo is a revision of a furniture classic in rattan: the papasan. But this is a radically free and wonderfully postmodern version. Armadillo has the sympathetic shyness of the animal from which it gets its name and the unmistakable signature of the Valencian studio in its silhouette.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.