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Lazada
Designed by Lievore Altherr Molina
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of glass lacquered or frosted lacquered, textured net, textured materia, ceramic polished or matt finish
Dimensions:
W620 x D620 x H750 mm W800 x D800 x H750 mm W1000 x D1000 x H750 mm W1200 x D1200 x H750 mm W1300 x D1300 x H750 mm W1400 x D1400 x H750 mm W1500 x D1500 x H750 mm
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Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
Frog tables are made from a single glass sheet curved and shaped with skillful technique. The purity of its design belies its exceptional strength for each setting and use, thanks to the use of a very thick bent glass.
3 Feet is a collection of hexagonal coffee tables made of bent glass, able to give to the house a lively touch of originality. They can be put together playing with the different heights and finishes.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Campos is a new mirror concept. It combines a graphic composition with different mirror shades, giving life to a furnishing element that acquires full autonomy in the architectural spaces, offering new perspectives of reflection thanks to the slanted smaller mirror.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.