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Designed by Lievore Altherr Molina
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of glass lacquered or frosted lacquered, textured net, textured materia, ceramic polished or matt finish
Dimensions:
W620 x D620 x H750 mm W800 x D800 x H750 mm W1000 x D1000 x H750 mm W1200 x D1200 x H750 mm W1300 x D1300 x H750 mm W1400 x D1400 x H750 mm W1500 x D1500 x H750 mm
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In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
Boston is a wall mirror that reflects an indepth search for simplicity and beauty. The lacquer finish of the frame, available in various colours, is applied to the back of the glass for an even shinier aspect. Available also in a totally mirrored finish.
Whatever you want out of a chair, it has to be comfortable, and it has to be stylish. The Elephant chair is both, and because it is available in plastic or with upholstered leather, you can choose a design that complements your current decor. Whilst not immediately apparent, the shape and form of this stunning […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.