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Designed by Lievore Altherr Molina
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of glass lacquered or frosted lacquered, textured net, textured materia, ceramic polished or matt finish
Dimensions:
W3000 x D1350 x H750 mm
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Baobab is characterised by the contrast of the full rounded form of the seat with the fine and elegant profile of the back. The result, quite apart from its unique personality is a very pleasing, comfortable and eye catching piece.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
The iconic Piktor coffee table, expressing with its design Sovet’s philosophy and skilled handcrafted processes, is now proposed in new glass and ceramic finishes that highlight its essential lines in the living spaces.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
$1,160.00
The Missing Chair appears as if a simple line drawing has sprung into life. Sensual yet strong, the soft curve of each line creates a whimsy that is hard to describe. Straight lines have been softened, allowing the timber seat and back to appear as if floating above the thin steel frame. What remains are […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.