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Designed by Lievore Altherr Molina
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of glass lacquered or frosted lacquered, textured net, textured materia, ceramic polished or matt finish
Dimensions:
W3000 x D1350 x H750 mm
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Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
in the eclectic identity of Driade, i have always perceived a hint of french culture, just as i have always been fascinated by the interiors of parisian homes for their expert combination of furnishings and classical items, along with vintage pieces and contemporary objects.’ Alberto Lievore La Francesa issues from this imaginative background, a refined […]
The Dunas xs seating sellection arises from the pursuit of a transversal design that can take its place amongst the most diverse spaces and styles. Refinement, neutrality, formal clarity and essential elegance are the marks of identity of this versatile collection of chairs and armchairs designed by Christophe Pillet.
$1,120.00
Inspired from the past, the truly thin structure brings an elegant lightness to a sturdy, precious handcrafted chair. From the back to the arm, it forms beautiful curves in three dimensions. The craftsman’s dedication to makes the Memory chair a precious piece to be treasured and to contemplate the wisdom of life in value and […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.