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Designed by Lievore Altherr Molina
A lacquered metal base meets a top in glass, wood, ceramic or Materia, to give life to a tables collection with a distinctive personality and versatility in the setting, from home to contract spaces.
Finishes:
Structure in metal lacquered embossed white, clay, mocha or black, top in glass in a selection of glass lacquered or frosted lacquered, textured net, textured materia, ceramic polished or matt finish or veneer in oak in a selection of stains or walnut
Dimensions:
DIA620 x H360 mm DIA620 x H480 mm DIA800 x H360 mm DIA1000 x H360 mm
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Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
An elegant, essential and modular solution, to transform every space into a fascinating display.
Bugatti has all the features to be a protagonist in home & contract spaces. The thickness of the padded cushion creates an elegant contrast with the slim lines of the structure, which supports a comfortable seat.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
The name comes from the two “fins†at the rear of the chair, the coupling between the frame and the base. The Sharky chair is the winner of the Interior Innovation Award 2015.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.
The Slim line is characterized by an essential design that conveys great lightness. Tables, coffee tables, consoles, benches and sofas that meet all tastes and requirements, fitting all kinds of situations.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.