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Designed by Lievore Altherr Molina
From the skillful glass bending process arises a coffee table that combines the charm of traditional craftsmanship with the elegance of contemporary design. Available in different finishes, it brings harmony in each environment and meets every need.
Finishes:
Structure in glass in clear, tinted smoke, lacquered or 2 tone lacquered in a selection of colours
Dimensions:
W1180 x D560 x H300 mm W1400 x D560 x H300 mm
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The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
A complete collection of coffee tables and consoles that allows to create original compositions in the living area. The ceramic tops, offered in a wide range including marble-effect ceramics, mirror, frosted mirror or Materia, are perfectly and naturally completed by the minimalism of the metal structure.
$2,910.00$2,473.50
Originally designed in 1959, the X table exemplifies the pinnacle of Hvidt & Mølgaard’s work as creative collaborators. Revived from family archives, the table draws its unique design from ancient Egyptian folding chairs. Based on the same principles as the X chair, for which it was originally created to complement, the X table showcases the […]
A new table whose shapes and materials are enhanced in a natural equilibrium of geometries thanks to the iconic base inspired by the sculpted lines of the Dolomites.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.