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Lazada
Designed by Lievore Altherr Molina
Sila is a project from which a lot of different versions take form, starting from simple shapes and natural materials.
Finishes:
Swivel, base in metal lacquered white, clay, mocha or black, seat in oak veneer in natural or stained black or in walnut
Dimensions:
W520 x D500 x H1010 mm SH750 mm
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The new shapes and sizes of the Visual mirrors create original reflections thanks to different shades and to their modularity. They furnish private and public spaces with a refined simplicity making possible the creation of large compositions.
A swivel lounge chair which enfolds the person seated and rotates fully on its own axis thanks to a ball mechanism in the base. An original and comfortable item of furniture, suitable for placing in the centre of any space
Different geometric shapes and various combinations of materials, create infinite uses and setting possibilities. A simple concept from which arises a complete collection of tables and accessories for the most varied environments and situations.
In an effort to recover the characteristic braided chair so typical of the Mediterranean, Expormim reedits the seating collection, Lapala, a classic by Lievore Altherr Molina Studio. Her curves and gentle shapes, the sober, light and versatile character is still maintained. This update includes a significant increase in comfort with improved ergonomics, in addition to […]
$2,530.00
The Film chair strikes an interesting silhouette between minimalistic and surprising. It features straight lines, emphasizing geometric structure and symmetry, creating an orderly and harmonious visual effect and presenting a sharp and clear aesthetic. The seat is lightly padded, creating a combination of suppleness and strength.
Sila is a chair project from which a lot of different versions take form, starting from simple shapes and natural materials.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.